All posts by Rob Kimbrough

Maintains personal music blog Then Play ON

On “I Don’t Live Here Anymore,” The War On Drugs Get Comfortable

The best War On Drugs records blur together. The songs, while quality on their own, form a tapestry of sound that couches Adam Granduciel’s vocals in pillowy keyboard, grooving drums, and building guitar that stretch out to emotional transcendence. The Philadelphia five-piece’s last two albums, 2014’s Lost in the Dream and 2017’s A Deeper Understanding, got a lot of positive press in rock circles, and rightly so. They were deep explorations that perfectly encapsulated their respective titles. A Deeper Understanding, especially, was one of the best records of its year.

The War On Drugs’ latest release, 2021’s I Don’t Live Here Anymore, is quite a different beast. Gone are the lengthy guitar and saxophone explorations, as the band turns its energy toward producing a tight set of self-contained songs. They sound confident and comfortable, but perhaps could have used a bit more fire. The War On Drugs have always borrowed from the sounds of Eighties album rock, but here they really lean into it. Most noticeably, they use a drum machine half the time. I’m not sure what drummer Charlie Hall feels about this, but let’s just say it makes much of the music sound tepid. The synths, processed guitar, and thin percussion make it seems like they are going for a Phil Collins vibe. 

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Boil, Boil, Toil and Trouble: A Very Witchy Halloween Playlist

You what time it is! It’s that spookiest of seasons: Halloween. As people get their costume ready and deck their halls with cobwebs, it’s time we get in the mood with some eerie music. As a theme for this Halloween, I’ve chosen to represent one of the most classic mythologies of horror: witches.

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Trying to Guess What Kind of Music Better Than Ezra Makes Based Solely On Their Instagram

In the wake of comedian Norm Macdonald’s unfortunate passing, I saw a clip of him closing a Nineties-era Saturday Night Live Weekend Update with the joke “And this week on the college charts, at number 1 we have Better Than Ezra, and at number 2 we have…Ezra.”

It’s a funny joke, because, as we all know, Better Than Ezra is a band that existed in the 1990s. Right? And that name screams to be lampooned. Because it surely means something…but what? Who is this poor sap Ezra who the band decided to permanently degrade? Thinking about this trivial mystery made me realize that, outside of being vaguely aware of their existence, I’ve never heard one Better Than Ezra song. I do not even know what kind of music they make. I guess some form of alt-rock? Because that’s broadly what all 90s bands played? I guess?

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Covers: All Along the Watchtower

For the next edition of my Covers series, I’m looking at one of the most legendary songs ever: “All Along the Watchtower.” Originally written and recorded by Bob Dylan, it was soon made definitive by Jimi Hendrix, who turned the lyrical drama up to 11 and unleashed one of his most iconic solos. It’s a rare instance in which the cover is almost universally acknowledge as better than the original. Perhaps that’s why it hasn’t been covered in the studio by as wide a range of artists as our previous entry “Dancin’ in the Streets.” Jimi already nailed it, so what’s the use of even trying?

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Covers: Dancing In the Street

Sometimes, things just feel right. My most recent post blew up big time, so I’m using this as an opportunity to launch a new series that I’ve wanted to do for a while now. It’s called simply Covers. There exist some songs that transcend the moment which produced them, and go on to be universal. Often this results in a supremely well known and loved recording of a song that becomes scripture set in stone for generations to come. But just as often, the universality of a song allows it to be performed by many different artists in their own styles. Some versions are better than others, yet all of the varied interpretations can tell us much about the time and place they were recorded. So I’m going to take a look at a single song and run down the many cover versions of said song, while taking a look at what each reading can tell us about the performing artist and/or their cultural moment.

I’m beginning the Covers series with the most beloved (and often covered!) songs of the rock era: Martha and the Vandellas’ immortal “Dancing In the Street.” As summer arrives and we all itch to get back outside and celebrate with our long quarantined neighbors, it seems like the perfect place to start.

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Some of These Are Not Like the Others: Recognition in the Rock & Roll Hall of Fame

There’s nothing that’s more important to rock n’ rollers than establishment recognition. Right? Wait…I thought rock was about sticking it to the man in a fit of progressive rebellion! I guess it depends on who you ask. If you ask the good folks at the Rock & Roll Hall of Fame in Cleveland, Ohio, they will tell you that the Hall of Fame is a way to highlight those artists who best represent the spirit of rock and whose influence on culture is undeniable. If you ask others, the HoF is a good ol’ boys club in which gatekeepers and those already inducted get to lift up more of their own. 

In reality, it’s probably more in the middle. On one hand, it makes sense to have an institution to preserve and honor the contributions of great musicians. Over the past 65 years, rock & roll has had an incalculable influence on our societal mindset, fashion, business, and art. The music that The Greats have made means many things to different people, but we all have memories and emotions tied to songs, albums, and bands. It’s very edifying to have your favorite singer or band enshrined in the Hall of Fame, proof that others agree with what you’ve always known: that these guys rock. (I want to stress that I use the term “guys” as a gender-neutral collective pronoun).

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Where No Man Has Gone Before: A Deep Dive Into Star Trek

Space – the final frontier. These are the voyages of the starship Enterprise. It’s continuing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!

    There are few phrases in pop culture more iconic than these opening words of Star Trek. Whether spoken by Kirk or Picard, they stand as the defining ethos of the franchise. Given the legacy of Star Trek, they also serve as a sort of definition of science-fiction in general: an optimistic, adventurous drive for knowledge and transcendence. The debut of Star Trek in 1966 in many ways marked the beginning of modern sci-fi as well as the general public’s perception of it. Despite variances in quality or wider reception over the decades, it still stands as a venerable institution. 

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Songs For St. Patrick’s Day

Slainte! St. Patrick’s Day falls on Wednesday of this week, so I’ve put together a playlist to help celebrate one of my favorite minor holidays.

St. Patty’s Day 2020 was essentially cancelled last year due to the Covid pandemic, so I would be remiss to not make special note of it in 2021. While the pandemic is not over, the end is nigh. More and more people receive vaccinations every day, and it before long it will be available for the general public nationally. So while we still have a substantial period of social distance, mask wearing, and hygienic vigilance ahead of us, there is light at the end of the tunnel. That’s something to celebrate.

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Phoebe Bridgers VS. The Danelectro Guitar

This weekend on Saturday Night Live, musical guest Phoebe Bridgers smashed her guitar. It came at the end of the song “I Know the End,” her second performance of the night. Overall, it was a strong performance. But the big news story has nothing to with her music, but her act of smashing her guitar into an amp. Can you believe it??

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The Many Roads through New Music

    After far too long, I’ve finally begun listening to Idles, the British punk band who have been whipping up adulation since their debut LP from 2017. I had them recommended to me at the time, so I looked them up. I don’t even remember which song I heard, but for whatever reason it did not sit well with me. So I essentially wrote them off. In 2020 they put out their third full length to massive acclaim, and I completely ignored it. Thankfully, in response to my year-end review, a friend called me out on my oversight and finally convinced me to give Idles another try.

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