Tag Archives: the who

Covers: Dancing In the Street

Sometimes, things just feel right. My most recent post blew up big time, so I’m using this as an opportunity to launch a new series that I’ve wanted to do for a while now. It’s called simply Covers. There exist some songs that transcend the moment which produced them, and go on to be universal. Often this results in a supremely well known and loved recording of a song that becomes scripture set in stone for generations to come. But just as often, the universality of a song allows it to be performed by many different artists in their own styles. Some versions are better than others, yet all of the varied interpretations can tell us much about the time and place they were recorded. So I’m going to take a look at a single song and run down the many cover versions of said song, while taking a look at what each reading can tell us about the performing artist and/or their cultural moment.

I’m beginning the Covers series with the most beloved (and often covered!) songs of the rock era: Martha and the Vandellas’ immortal “Dancing In the Street.” As summer arrives and we all itch to get back outside and celebrate with our long quarantined neighbors, it seems like the perfect place to start.

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The Light and Dark Sides of Endings

In the last month of 2019, two things that shaped who I am came to an end. One is Star Wars, the science-fantasy film saga that for decades has captivated the movie-going public; the other is The Who, the British rock band that for decades as captivated disaffected youth. With the release of Star Wars Episode IX: The Rise of Skywalker, the franchise officially wrapped up its core story, dubbed the “Skywalker saga” that details the eternal struggle between Light and Dark as seen through several generations of one intergalactic family. And with the release of The Who’s twelfth studio album Who they put the period on what is one of the most laudable careers in rock. These two endings have spurred me to reflect back how on both entities have influenced me and what their respective endings mean to the greater whole. In short, one left me feeling a little hollow, one left me feeling surprisingly fulfilled, and both left me feeling thankful. Continue reading The Light and Dark Sides of Endings

Rolling Thunder: Top 15 Bassists

Welcome to my first ranked list! I plan to present many such lists in the future, as they are always a fun challenge for me and stir up interesting conversation and debate. Please keep in mind that, as with everything on this site, it is based solely on my opinion and does not reflect some universal mandate.

The inaugural listicle is going to be my top 15 bassists. The topic has been spurred on due to the unfortunate passing of Yes’ Chris Squire, who surely appears here. It got me to thinking about the roll of the bass guitar in rock music. It obviously doesn’t receive the glory of the electric guitar, and bassists are usually relegated to secondary members on stage within the collective cultural consciousness. Of course, this couldn’t be further from the truth – the bass is a vital part of any ensemble. It provides the rhythm, the deep bottom end that gives music its power and inspires people to move. It can serve as a counterpoint to the main melody. Finally, there are lots of bassists that have left their unique mark on the instrument and the world of music. Here are my favorite, ranked from 15 to 1.

Note: As per the main breadth of this blog, I am going to focus only on musicians that can fit primarily into the broad spectrum of “rock” music. As such, there are some fantastic players inherently left off, such as Charles Mingus, James Jamerson, Robbie Shakespeare, Jaco Pastorious, Victor Wooten, and Aston “Family Man” Barrett. Also, this isn’t necessarily saying who is all-around “better;” rather it is my preference ranking based on their style and skill.

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